Catarina Real

2024

Vera Mota

Portugal

fiberglass, iron, metal workshop, resin, laser cut, welding machine, chamfering, grinder

2021

Tyries Holder

England, Jamaica

glass, painting, resin

Home by Ronan Mckenzie

2021

Tomás Abreu

Portugal

iron, wood, electronic material, stone

2019

Tiago Ângelo

Portugal

audiovisual material, iron, laser cut, electronic material, copper, welding machine

Sonoscopia

2018

Tiago Madaleno

Portugal

aluminium, audiovisual material, laser cut

2021

Tiago Lêdo

Portugal

iron, electronic material, painting, audiovisual material

Pedreira

2024

Sofia Mascate

Portugal

glass, acrylic, painting, aluminium, iron

Revista Umbigo, Covipor

2022

Sebastián Baudrand

Chile

fiberglass, iron, glass, audiovisual material

Galeria Lehmann + Silva

2019

Sara Bichão

Portugal

iron, stainless steel, textil, rubber, welding machine, painting, motorization, acrylic

Porto Post Doc

2024

Rudolfo da Silva

Portugal

laser cut, iron, painting, wood, welding machine, acrylic, resin, metal workshop, carpentary, composite workshop

2019

Rita Morais

Portugal

audiovisual material

Porto Post Doc

2018

Rafael Yaluff

Chile

painting, glass, aluminium, plaster, electronic material

2025

Pedro Moreira

Portugal

aluminium, laser cut, grinder, welding machine, metal workshop

Festival Barlos

2019

Marryam Moma

Tanzania, Nigeria, USA

glass, fiberglass, iron, aluminium, drill, chamfering, plasma cutting, painting, grinder, circular saw, handsaw, welding machine, resin, metal workshop, painting booth

Atlanta Beltline

2019

Maria Trabulo

Portugal

plasma cutting, painting, aluminium

Correntes d'escritas

2024

Maria Constanza Ferreira

EUA, Venezuela, Portugal

aluminium, laser cut, audiovisual material, motorization, painting, glass

Covipor

2018

Luísa Jacinto

Portugal

iron, painting, bender

AiR 351

2025

Kyra Nijskens

Netherlands

drill, chamfering, expanded polystyrene, fiberglass, painting, composite workshop, grinder, bender, plastic, welding machine, resin, metal workshop, carpentary

2018

Guilherme Figueiredo

Portugal

chamfering, ceramic, laser cut, iron, wood, audiovisual material, metal workshop, carpentary

2019

Guilherme de Sousa & Pedro Azevedo

Portugal

aluminium, glass

2019

Gil Madeira

Portugal, Switzerland

glass, painting

2023

Frida Baranek

Brasil

steel, stainless steel, brass, iron, cement, rubber, electronic material, bituminous, motorization, stone, welding machine, glass

2018

Francisca Carvalho

Portugal

iron, welding machine, glass

Câmara Municipal Póvoa de Varzim

2025

Filipa Tojal

Portugal

chamfering, aluminium, drill, plasma cutting, iron, stainless steel, audiovisual material, painting, glass, metal workshop

Escola das Artes, Un. Autónoma de Lisboa

2021

Diogo da Cruz

Portugal

plasma cutting, iron, welding machine

Revista Umbigo

2023

Dayana Lucas

Venezuela, Portugal

plasma cutting, laser cut, expanded polystyrene, iron, painting, composite workshop, welding machine, glass

CIAJG

2023

Cristina Mejias

Spain

glass, wood, iron, electronic material, brass, polyurea paint

Matadero Madrid, BF Glass Studio, Eneida Tavares

2025

Christian Lagata

Spain

drill, chamfering, plasma cutting, expanded polystyrene, iron, wood, stainless steel, painting, bender, grinder, circular saw, welding machine, metal workshop

2025

Charity Hamidullah

USA

acrylic, aluminium, drill, chamfering, cardboard, iron, fiberglass, stainless steel, painting, grinder, welding machine, handsaw, resin, metal workshop, painting booth

Atlanta Beltline

2024

Catarina Real

Portugal

steel, aluminium, drill, painting, grinder, metal workshop, 3D print

Catarina Real

Short-Term Art Residency /

She works at the intersection of artistic practice and theoretical research in the expanded fields of painting, writing, and choreography, primarily in long-term collaborative projects that focus on questioning how we can live better collectively. She is a doctoral candidate at the Center for Humanistic Studies at the University of Minho, conducting research that intersects art, love, and capital. She maintains a commentary practice - including reflective texts, introductory texts for exhibitions, interviews, and conversation moderation - on the works and processes of artists within her generational cohort, aiming to contribute to a healthy environment of critique and collective, communal creation. She has been the vice-president of the French association Artistes en Résidence since 2019 and an editor at Edições da Ruína since 2022.

She has publicly presented her work at institutions such as Teatro Municipal do Campo Alegre, Galeria Municipal do Porto, Museu Amadeo de Souza-Cardoso, and others; independent spaces such as Rua do Sol, Campanice, Graciosa, Laboratório das Artes, Sol Pele, and more; and galleries like Kubik Gallery, Galeria Madragoa, No.no Gallery, and Galeria Graça Brandão. She has undertaken residencies at Espaço do Tempo, Gnration, Appleton Square, Fórum Dança, Artistes en Résidence, among others. Recent notable projects include organizing, in collaboration with David Revés, the conversation and podcast series Amor e Morte with various guests from the Portuguese cultural scene; a residency at Residency Unlimited (US) with a grant from Atelier Museu Júlio Pomar; the duo exhibition Things I've Seen with Gonçalo Duarte at Flux Factory (US); and the book "ISTO" published by Edições Senhor Teste.

At the beginning of May 2024, artist and researcher Catarina Real began her artistic residency at No Entulho with the intention of developing and producing some exhibition devices. Using leftover pieces and accessories from the manufacturing of frames and the production at ArtWorks, Catarina collected metal profiles, pre-frames, spacers, aluminum tubes, among many other pieces, from the factory containers, and repurposed them, creating various structures and compositions.

The creation of these structures with various configurations will be associated, in an initial phase, with her project “Color Therapy,” a long-term practice that explores color theory, mail art, and choreographic intuition. With this residency, Catarina intends for the structures created to continue the exploration of the choreographies of reading/seeing in the exhibition context.