No Entulho - Project by Artworks

Artists

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Year

Artists

Country

Materials

Partners

Charity Hamidullah

USA

acrylic, aluminium, drill, chamfering, cardboard, iron, fiberglass, stainless steel, painting, grinder, welding machine, handsaw, resin, metal workshop, painting booth

Atlanta Beltline

Christian Lagata

Spain

drill, chamfering, plasma cutting, expanded polystyrene, iron, wood, stainless steel, painting, bender, grinder, circular saw, welding machine, metal workshop

Filipa Tojal

Portugal

chamfering, aluminium, drill, plasma cutting, iron, stainless steel, audiovisual material, painting, glass, metal workshop

Escola das Artes, Un. Autónoma de Lisboa

Kyra Nijskens

Netherlands

drill, chamfering, expanded polystyrene, fiberglass, painting, composite workshop, grinder, bender, plastic, welding machine, resin, metal workshop, carpentary

Marryam Moma

Tanzania, Nigeria, USA

glass, fiberglass, iron, aluminium, drill, chamfering, plasma cutting, painting, grinder, circular saw, handsaw, welding machine, resin, metal workshop, painting booth

Atlanta Beltline

Pedro Moreira

Portugal

aluminium, laser cut, grinder, welding machine, metal workshop

Festival Barlos

Catarina Real

Portugal

steel, aluminium, drill, painting, grinder, metal workshop, 3D print

Guilherme Figueiredo

Portugal

chamfering, ceramic, laser cut, iron, wood, audiovisual material, metal workshop, carpentary

Maria Constanza Ferreira

EUA, Venezuela, Portugal

aluminium, laser cut, audiovisual material, motorization, painting, glass

Covipor

Rudolfo da Silva

Portugal

laser cut, iron, painting, wood, welding machine, acrylic, resin, metal workshop, carpentary, composite workshop

Sofia Mascate

Portugal

glass, acrylic, painting, aluminium, iron

Revista Umbigo, Covipor

Vera Mota

Portugal

fiberglass, iron, metal workshop, resin, laser cut, welding machine, chamfering, grinder

Cristina Mejias

Spain

glass, wood, iron, electronic material, brass, polyurea paint

Matadero Madrid, BF Glass Studio, Eneida Tavares

Dayana Lucas

Venezuela, Portugal

plasma cutting, laser cut, expanded polystyrene, iron, painting, composite workshop, welding machine, glass

CIAJG

Frida Baranek

Brasil

steel, stainless steel, brass, iron, cement, rubber, electronic material, bituminous, motorization, stone, welding machine, glass

Sebastián Baudrand

Chile

fiberglass, iron, glass, audiovisual material

Galeria Lehmann + Silva

Diogo da Cruz

Portugal

plasma cutting, iron, welding machine

Revista Umbigo

Mauro Ventura

Portugal

steel

Tiago Lêdo

Portugal

iron, electronic material, painting, audiovisual material

Pedreira

Tomás Abreu

Portugal

iron, wood, electronic material, stone

Tyries Holder

England, Jamaica

glass, painting, resin

Home by Ronan Mckenzie

Berru

Portugal

iron, electronic material, audiovisual material, welding machine

Escola das Artes - Universidade Católica do Porto

Andreia Santana

Portugal

iron, painting, audiovisual material, chamfering, copper, welding machine

Sonoscopia

Carlos Arteiro

Portugal

glass, expanded polystyrene, painting, suction cups

Mala Voadora

Edgar Pires

Portugal

iron, welding machine

Gil Madeira

Portugal, Switzerland

glass, painting

Guilherme de Sousa & Pedro Azevedo

Portugal

aluminium, glass

Maria Trabulo

Portugal

plasma cutting, painting, aluminium

Correntes d'escritas

Marta Bernardes

Portugal

sand

Correntes d'escritas

Rita Morais

Portugal

audiovisual material

Porto Post Doc

Sara Bichão

Portugal

iron, stainless steel, textil, rubber, welding machine, painting, motorization, acrylic

Porto Post Doc

Tiago Ângelo

Portugal

audiovisual material, iron, laser cut, electronic material, copper, welding machine

Sonoscopia

Francisca Carvalho

Portugal

iron, welding machine, glass

Câmara Municipal Póvoa de Varzim

Igor Jesus

Portugal

audiovisual material

Igor Jesus

programme cycle 01 /

Lives and works in Lisbon. He holds a degree in Sculpture from the Faculty of Fine Arts of the University of Lisbon. He participated in a residency at Kunstlerhaus Bethanien, Berlin, from 2016 to 2017, with support from the Calouste Gulbenkian Foundation. In 2017, he was also a finalist for the New Artists Prize from the EDP Foundation.

His solo exhibitions include: Dias de Chuva, Janela - Limbo, Lisbon; Safelight, Galeria Filomena Soares, Lisbon; Mozart, Janela - Taffimai, São Pedro do Estoril (2019); Strob, No Entulho - Artworks, Porto; Antropofagia, Art fair Cologne, Cologne; Bound to the Earth, Kunstraum Botschaft, Berlin (2018); Love you to the Bones, Kunstlerhaus Bethanien, Berlin (2017), Amar-te os Ossos, Galeria Filomena Soares, Lisbon (2017), Chessari, Galeria Solar, Vila do Conde (2016), A Última carta ao Pai Natal, Galeria Filomena Soares (2015) and Debaixo do Sol, Appleton Square, Lisbon (2015). In 2014, he presented the exhibition Old School #32, Lisbon, and in 2013 Peso Morto, Espaço Zero, Tomar.

Among his most recent group exhibitions are: 2012-2020 | MACE, Colecção António Cachola, Elvas in 2020; Depois do Estouro, Curated by Tomás Abreu - Galeria Municipal do Porto, Porto; Água, Vinho, Coroas de Flores, Curated by Miguel Mesquira - Uppercut, Lisbon; Murro no Estômago, Curated by Ana Cristina Cachola - Galeria Boavista, Lisbon; El Fantasma del una Oportunidad, Curated by Ana Cristina Cachola - La Nave, Madrid; Mellifluous Elephant (MÉ), Curated by Francisca Aires Mateus - Casa Dona Laura, Lisbon in 2019; Collaboration, Curated by Ana Cristina Cachola - Schijf, Rosendal; O Futuro do Presente, Cisterna - Faculty of Fine Arts Lisbon, Lisbon; Collaboration, Curated by Ana Cristina Cachola - Quinta do Quetzal, Vidigueira in 2018; Tempo Inscrito - Memória, Hiato e Projecção, Curated by Sérgio Fazenda Rodrigues, Quartel, Abrantes; Efeito-Suruba, Curated by PiPi Colonial, Gaivotas 6, Lisbon; 11th Amadeo-Souza Cardoso Prize, Museu Municipal Amadeo-Souza Cardoso, Amarante; TAWAPAYERA, Atelier- Museu Júlio Pomar (2017); EDP New Artists Prize, EDP Foundation (2017); HangarOut - EntreLinhas, Palácio Marquês de Abrantes (2017); in 2016: Artists' Film International (screenings at MAAT, Lisbon, Whitechapel Gallery, London, Istanbul Modern, Turkey, GAMeC – Galleria d'Arte Moderna e Contemporanea di Bergamo, Italy, and Project 88, Mumbai, India); Topologia del Aura, Galeria Bacelos, Madrid (2016); Abaixo as fronteiras! Vivam o design e as artes, Dialogue between design and works from the António Cachola collection, Museu de Arte Contemporânea de Elvas and Pátio da Galé in Lisbon (2016); Ponto de Partida - uma seleção de obras da coleção de arte contemporânea Figueiredo Ribeiro, Quartel, Abrantes; in 2015: Um Horizonte de Proximidades, Arquipélago – Centro de Artes Contemporâneas, Ribeira Grande, São Miguel, Azores; Princípio Tautológico, Hangar – Centro de Investigação Artística, Lisbon; Works from the António Cachola Collection, Centro de Arte Contemporânea Graça Morais, Bragança; The Lynx Knows No Boundaries, Fondation d’Entreprise Ricard, Paris.

Contemporary visual creation, in a moment marked by the accentuation of digitality as an aesthetic-political regime, has been problematizing the tension between materiality and dematerialization, questioning the disappearance of the body endemic to the digital codification of matter. This tension is particularly acute in the field of moving images, where the disappearance of celluloid has led to a need to think about the aesthetic and political implications of a medium that increasingly assumes an immaterial and coded form. This questioning is often expressed in artistic practices that seek to re-situate the body in the visual and political field, either by making visible how image creation devices continue to produce bodies, or by demonstrating how the bodies that supposedly dematerialize also produce images that generate material, affective, and political effects. Through these practices, the body (both individual and political) re-inscribes itself in and through the material presence of the medium itself. Contemporary power is also exercised through a scopic and bodily dimension, intersecting with processes of racialization, gender, and sexualization, through which the body is understood as desire and value, but also as waste or deviation.

Igor Jesus, Daniela Agostinho, and Ana Cristina Cachola

Credits

resources: audiovisual materialformato: cycle 01photography & video: Bruno Lança

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Jérémy Pajeanc

França, Portugal

glass, aluminium

João Pedro Trindade

Portugal

iron, plastic, aluminium

Luísa Jacinto

Portugal

iron, painting, bender

AiR 351

Rafael Yaluff

Chile

painting, glass, aluminium, plaster, electronic material

Tiago Madaleno

Portugal

aluminium, audiovisual material, laser cut

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