No Entulho - Project by Artworks

Artists

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Year

Artists

Country

Materials

Partners

Vera Mota

Portugal

fiberglass, iron, metal workshop, resin, laser cut, welding machine, chamfering, grinder

Tyries Holder

England, Jamaica

glass, painting, resin

Home by Ronan Mckenzie

Tomás Abreu

Portugal

iron, wood, electronic material, stone

Tiago Ângelo

Portugal

audiovisual material, iron, laser cut, electronic material, copper, welding machine

Sonoscopia

Tiago Madaleno

Portugal

aluminium, audiovisual material, laser cut

Tiago Lêdo

Portugal

iron, electronic material, painting, audiovisual material

Pedreira

Sofia Mascate

Portugal

glass, acrylic, painting, aluminium, iron

Revista Umbigo, Covipor

Sebastián Baudrand

Chile

fiberglass, iron, glass, audiovisual material

Galeria Lehmann + Silva

Sara Bichão

Portugal

iron, stainless steel, textil, rubber, welding machine, painting, motorization, acrylic

Porto Post Doc

Sara Bichão

programme cycle 02 / What is the thing, what is it

in Collaboration With: Rita Morais

Sara Bichão (Lisbon, 1986) lives and works in Lisbon. She completed her undergraduate and master’s degrees in Painting at the Faculty of Fine Arts of Lisbon (2008, 2011). She has participated in several artist residencies, including Residency Unlimited (2012, USA), PIRA ADM (2016, MX), Artistes en Résidence (2017, FR), and the Centro de Artes Arquipélago (2018, PT). She has been exhibiting since 2009, with recent solo exhibitions including: Encontra-me, mato-te (2018), Calouste Gulbenkian Foundation, Lisbon; Coastal (2017), Barbara Davis Gallery, Houston; O meu sol chora, Communications Foundation, Lisbon; Somebody’s Address (2016) and Open Gates (2014), Rooster Gallery, New York; Recheio (2014), Carpe Diem Arte e Pesquisa, Lisbon. Notable group exhibitions include: Quando somos 2 somos três(2018, with Manon Harrois), Communications Foundation, Lisbon; Geometria Sónica (2018), Centro de Artes Arquipélago, São Miguel, Azores; Chama (2018), Atelier-Museum Júlio Pomar, Lisbon; Extática Esfinge (2017), CIAJG, Guimarães; Curar e Reparar (2017), Anozero Biennial, Coimbra; O Que Eu Sou (2017), MAAT, Lisbon; Now, this is fucking too hot (2017, with Manon Harrois), Les Ateliers, Clermont-Ferrand; Puras Cosas Nuevas (2017), Pantalla Blanca, Mexico City; }{ { } (2015, with Omar Barquet), Diagrama, Mexico City; Eccentric Exercise II (2015), KCB, Belgrade; Soundless Harmonies (2014), Artopia Gallery, Milan; Eccentric Exercise I (2013), Les Gens Heureux, Copenhagen; Uma Coisa a Seguir à Outra (2013, with Miguel Ângelo Rocha), Quadrum Gallery, Lisbon; Extending the Line (2012), Arevalo Gallery, Miami. Her work is represented in several public collections, including: Calouste Gulbenkian Foundation; MAAT; Lisbon City Council; Fidelidade Mundial; Figueiredo Ribeiro; António Cachola; Norlinda e José Lima; Midfirst Bank Arizona; Benetton Foundation, among others. She has been awarded by Fidelidade Mundial – Young Painters (honorable mention, 2009), Anteciparte (selected artist, 2009), and BPI/FBAUL (1st prize in painting category, 2008).

Sara Bichão’s work unleashes the gentle and the violent that emerge from the threshold of language. It possesses the duality of a nursery rhyme, the incompleteness of a riddle, the fluctuation of poetry, and the interruption of stammering. The space it inscribes is as luminous and sunny as it is dark and devastating, without a definitive textual framework or a closed narrative. “What is the thing, what is it?” is exactly that—a question without an answer, which takes us back to childhood and the early philosophical unease. (...) “My work is affirmation and doubt,” says Sara Bichão. Naturally, it has to be this way: the essential dialectic that exposes and problematizes central points of contemporary art, and that above all continues an experience of the world full of surprises and revelations. As for us, we are left to protect ourselves against the torment of the enigma that her work ignites, serenely and continuously repeating, “What is the thing, what is it?”

Text by Marta Mestre.

From this residency came a text written by Gonçalo M. Tavares. “Duas mulheres, o guincho do porco” (Two Women, the Squeal of the Pig) emerged from the observation, dialogue, and reflection surrounding this simultaneous residency of artists Sara Bichão and Rita Morais. Porto/Post/Doc. was a partner in this Residency. Text here.

Credits

collaboration with Rita Morais
partnership with port/ post/ doc

resources: iron, stainless steel, textil, rubber, welding, painting, motorization, acrylic
format: cycle 02
photography: Bruno Lança

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**/

Rudolfo da Silva

Portugal

laser cut, iron, painting, wood, welding machine, acrylic, resin, metal workshop, carpentary, composite workshop

Rita Morais

Portugal

audiovisual material

Porto Post Doc

Rafael Yaluff

Chile

painting, glass, aluminium, plaster, electronic material

Pedro Moreira

Portugal

aluminium, laser cut, grinder, welding machine, metal workshop

Festival Barlos

Mauro Ventura

Portugal

steel

Marta Bernardes

Portugal

sand

Correntes d'escritas

Marryam Moma

Tanzania, Nigeria, USA

glass, fiberglass, iron, aluminium, drill, chamfering, plasma cutting, painting, grinder, circular saw, handsaw, welding machine, resin, metal workshop, painting booth

Atlanta Beltline

Maria Trabulo

Portugal

plasma cutting, painting, aluminium

Correntes d'escritas

Maria Constanza Ferreira

EUA, Venezuela, Portugal

aluminium, laser cut, audiovisual material, motorization, painting, glass

Covipor

Luísa Jacinto

Portugal

iron, painting, bender

AiR 351

Kyra Nijskens

Netherlands

drill, chamfering, expanded polystyrene, fiberglass, painting, composite workshop, grinder, bender, plastic, welding machine, resin, metal workshop, carpentary

Jérémy Pajeanc

França, Portugal

glass, aluminium

João Pedro Trindade

Portugal

iron, plastic, aluminium

Igor Jesus

Portugal

audiovisual material

Guilherme Figueiredo

Portugal

chamfering, ceramic, laser cut, iron, wood, audiovisual material, metal workshop, carpentary

Guilherme de Sousa & Pedro Azevedo

Portugal

aluminium, glass

Gil Madeira

Portugal, Switzerland

glass, painting

Frida Baranek

Brasil

steel, stainless steel, brass, iron, cement, rubber, electronic material, bituminous, motorization, stone, welding machine, glass

Francisca Carvalho

Portugal

iron, welding machine, glass

Câmara Municipal Póvoa de Varzim

Filipa Tojal

Portugal

chamfering, aluminium, drill, plasma cutting, iron, stainless steel, audiovisual material, painting, glass, metal workshop

Escola das Artes, Un. Autónoma de Lisboa

Edgar Pires

Portugal

iron, welding machine

Diogo da Cruz

Portugal

plasma cutting, iron, welding machine

Revista Umbigo

Dayana Lucas

Venezuela, Portugal

plasma cutting, laser cut, expanded polystyrene, iron, painting, composite workshop, welding machine, glass

CIAJG

Cristina Mejias

Spain

glass, wood, iron, electronic material, brass, polyurea paint

Matadero Madrid, BF Glass Studio, Eneida Tavares

Christian Lagata

Spain

drill, chamfering, plasma cutting, expanded polystyrene, iron, wood, stainless steel, painting, bender, grinder, circular saw, welding machine, metal workshop

Charity Hamidullah

USA

acrylic, aluminium, drill, chamfering, cardboard, iron, fiberglass, stainless steel, painting, grinder, welding machine, handsaw, resin, metal workshop, painting booth

Atlanta Beltline

Catarina Real

Portugal

steel, aluminium, drill, painting, grinder, metal workshop, 3D print

Carlos Arteiro

Portugal

glass, expanded polystyrene, painting, suction cups

Mala Voadora

Berru

Portugal

iron, electronic material, audiovisual material, welding machine

Escola das Artes - Universidade Católica do Porto

Andreia Santana

Portugal

iron, painting, audiovisual material, chamfering, copper, welding machine

Sonoscopia

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