Marryam Moma

2019

Andreia Santana

Portugal

iron, painting, audiovisual material, chamfering, copper, welding machine

Sonoscopia

2020

Berru

Portugal

iron, electronic material, audiovisual material, welding machine

Escola das Artes - Universidade Católica do Porto

2019

Carlos Arteiro

Portugal

glass, expanded polystyrene, painting, suction cups

Mala Voadora

2024

Catarina Real

Portugal

steel, aluminium, drill, painting, grinder, metal workshop, 3D print

2025

Charity Hamidullah

USA

acrylic, aluminium, drill, chamfering, cardboard, iron, fiberglass, stainless steel, painting, grinder, welding machine, handsaw, resin, metal workshop, painting booth

Atlanta Beltline

2025

Christian Lagata

Spain

drill, chamfering, plasma cutting, expanded polystyrene, iron, wood, stainless steel, painting, bender, grinder, circular saw, welding machine, metal workshop

2023

Cristina Mejias

Spain

glass, wood, iron, electronic material, brass, polyurea paint

Matadero Madrid, BF Glass Studio, Eneida Tavares

2023

Dayana Lucas

Venezuela, Portugal

plasma cutting, laser cut, expanded polystyrene, iron, painting, composite workshop, welding machine, glass

CIAJG

2021

Diogo da Cruz

Portugal

plasma cutting, iron, welding machine

Revista Umbigo

2025

Filipa Tojal

Portugal

chamfering, aluminium, drill, plasma cutting, iron, stainless steel, audiovisual material, painting, glass, metal workshop

Escola das Artes, Un. Autónoma de Lisboa

2018

Francisca Carvalho

Portugal

iron, welding machine, glass

Câmara Municipal Póvoa de Varzim

2023

Frida Baranek

Brasil

steel, stainless steel, brass, iron, cement, rubber, electronic material, bituminous, motorization, stone, welding machine, glass

2019

Gil Madeira

Portugal, Switzerland

glass, painting

2019

Guilherme de Sousa & Pedro Azevedo

Portugal

aluminium, glass

2024

Guilherme Figueiredo

Portugal

chamfering, ceramic, laser cut, iron, wood, audiovisual material, metal workshop, carpentary

2018

Kyra Nijskens

Netherlands

drill, chamfering, expanded polystyrene, fiberglass, painting, composite workshop, grinder, bender, plastic, welding machine, resin, metal workshop, carpentary

2018

Luísa Jacinto

Portugal

iron, painting, bender

AiR 351

2024

Maria Constanza Ferreira

EUA, Venezuela, Portugal

aluminium, laser cut, audiovisual material, motorization, painting, glass

Covipor

2019

Maria Trabulo

Portugal

plasma cutting, painting, aluminium

Correntes d'escritas

2025

Marryam Moma

Tanzania, Nigeria, USA

glass, fiberglass, iron, aluminium, drill, chamfering, plasma cutting, painting, grinder, circular saw, handsaw, welding machine, resin, metal workshop, painting booth

Atlanta Beltline

Marryam Moma

Technical Residency / Beltline x ArtWorks No Entulho

in Collaboration With: Charity Hamidullah

Tanzanian-Nigerian Marryam Moma, creates analog collages and public art through a distinctive subtractive process. Her work, starts with abundant visual components and methodically pares down to refined narratives, has been acquired by corporate giants like Google, Microsoft, and Starbucks. A past recipient of The Atlanta Beltline Business Ventures Artist Fellowship, Moma's artistic practice spans large-scale analog collages, murals, and sculptural installations in public spaces Departing from a Bachelor of Architecture, Moma reconstructs collages from disparate elements that promotes understanding and inclusivity.

Our residency program established a partnership with Atlanta BeltLine Inc. (ABI), resulting in a residency focused on hands-on experimentation, technical knowledge exchange, and both artistic and technical development within an industrial setting.

Marryam Moma was one of two artists selected by Atlanta BeltLine to participate in this six-week technical residency.

The residency was structured around weekly focuses, each dedicated to a specific technique.
The first two weeks were centered on material collection and hands-on experimentation, with an emphasis on prototyping using the gathered materials.

In the third week, the artists explored fabrication techniques in greater depth, particularly mold-making, constructing composite structures, and working with fiberglass and other composite materials.

The fourth week was dedicated to metalworking, where the artists were introduced to plasma cutting, hand bending with a blowtorch, welding (electrode, MIG/MAG, and TIG), and metal surface grinding.

The final two weeks focused on finishing and painting techniques. The artists experimented with airbrush painting, color mixing, and varnishing, refining their works for final presentation.