No Entulho - Project by Artworks

Artists

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Year

Artists

Country

Materials

Partners

Vera Mota

Portugal

fiberglass, iron, metal workshop, resin, laser cut, welding machine, chamfering, grinder

Tyries Holder

England, Jamaica

glass, painting, resin

Home by Ronan Mckenzie

Tomás Abreu

Portugal

iron, wood, electronic material, stone

Tiago Ângelo

Portugal

audiovisual material, iron, laser cut, electronic material, copper, welding machine

Sonoscopia

Tiago Madaleno

Portugal

aluminium, audiovisual material, laser cut

Tiago Lêdo

Portugal

iron, electronic material, painting, audiovisual material

Pedreira

Sofia Mascate

Portugal

glass, acrylic, painting, aluminium, iron

Revista Umbigo, Covipor

Sebastián Baudrand

Chile

fiberglass, iron, glass, audiovisual material

Galeria Lehmann + Silva

Sara Bichão

Portugal

iron, stainless steel, textil, rubber, welding machine, painting, motorization, acrylic

Porto Post Doc

Rudolfo da Silva

Portugal

laser cut, iron, painting, wood, welding machine, acrylic, resin, metal workshop, carpentary, composite workshop

Rita Morais

Portugal

audiovisual material

Porto Post Doc

Rafael Yaluff

Chile

painting, glass, aluminium, plaster, electronic material

Pedro Moreira

Portugal

aluminium, laser cut, grinder, welding machine, metal workshop

Festival Barlos

Mauro Ventura

Portugal

steel

Marta Bernardes

Portugal

sand

Correntes d'escritas

Marryam Moma

Tanzania, Nigeria, USA

glass, fiberglass, iron, aluminium, drill, chamfering, plasma cutting, painting, grinder, circular saw, handsaw, welding machine, resin, metal workshop, painting booth

Atlanta Beltline

Maria Trabulo

Portugal

plasma cutting, painting, aluminium

Correntes d'escritas

Maria Constanza Ferreira

EUA, Venezuela, Portugal

aluminium, laser cut, audiovisual material, motorization, painting, glass

Covipor

Luísa Jacinto

Portugal

iron, painting, bender

AiR 351

Kyra Nijskens

Netherlands

drill, chamfering, expanded polystyrene, fiberglass, painting, composite workshop, grinder, bender, plastic, welding machine, resin, metal workshop, carpentary

Jérémy Pajeanc

França, Portugal

glass, aluminium

João Pedro Trindade

Portugal

iron, plastic, aluminium

Igor Jesus

Portugal

audiovisual material

Guilherme Figueiredo

Portugal

chamfering, ceramic, laser cut, iron, wood, audiovisual material, metal workshop, carpentary

Guilherme de Sousa & Pedro Azevedo

Portugal

aluminium, glass

Gil Madeira

Portugal, Switzerland

glass, painting

Frida Baranek

Brasil

steel, stainless steel, brass, iron, cement, rubber, electronic material, bituminous, motorization, stone, welding machine, glass

Francisca Carvalho

Portugal

iron, welding machine, glass

Câmara Municipal Póvoa de Varzim

Filipa Tojal

Portugal

chamfering, aluminium, drill, plasma cutting, iron, stainless steel, audiovisual material, painting, glass, metal workshop

Escola das Artes, Un. Autónoma de Lisboa

Edgar Pires

Portugal

iron, welding machine

Diogo da Cruz

Portugal

plasma cutting, iron, welding machine

Revista Umbigo

Dayana Lucas

Venezuela, Portugal

plasma cutting, laser cut, expanded polystyrene, iron, painting, composite workshop, welding machine, glass

CIAJG

Cristina Mejias

Spain

glass, wood, iron, electronic material, brass, polyurea paint

Matadero Madrid, BF Glass Studio, Eneida Tavares

Christian Lagata

Spain

drill, chamfering, plasma cutting, expanded polystyrene, iron, wood, stainless steel, painting, bender, grinder, circular saw, welding machine, metal workshop

Charity Hamidullah

USA

acrylic, aluminium, drill, chamfering, cardboard, iron, fiberglass, stainless steel, painting, grinder, welding machine, handsaw, resin, metal workshop, painting booth

Atlanta Beltline

Catarina Real

Portugal

steel, aluminium, drill, painting, grinder, metal workshop, 3D print

Carlos Arteiro

Portugal

glass, expanded polystyrene, painting, suction cups

Mala Voadora

Carlos Arteiro

programme cycle 02 / Disfarce, disfarce.

in Collaboration With: Guilherme de Sousa & Pedro Azevedo

Carlos Arteiro (Vila do Conde, 1992) holds a degree in Fine Arts (Sculpture) from the Faculty of Fine Arts of the University of Porto (2015), where he received a merit scholarship, and a Master's degree in Contemporary Artistic Practices from the same institution (2017). He was an Erasmus scholar at the Faculty of Fine Arts of the Complutense University of Madrid (2014-15). He was a finalist for the 2018 Novo Banco Revelação award, granted by the Serralves Foundation. In 2021, he opened the solo exhibition “Investigações de um peixe dourado”, and in 2023, "Máscara de três bicos" at the No-No gallery in Lisbon.

Carlos Arteiro, Guilherme de Sousa, and Pedro Azevedo are the three artists who participated in the residency at No Entulho – an Artworks program – and who share a common interest in the awakening of consciousness. The result of their work is now being presented together in Porto, at mala voadora, under the title Disfarce, disfarce (Disguise, Disguise).

(...)

Carlos Arteiro operates within the realm of fiction. He transports us to a place different from where we are, instead taking us to the world of the characters of the commedia dell'arte (once again referencing theater in his work), particularly Arlecchino, through Giorgio Agamben's interpretation of Pulcinella. It is Arlecchino that Arteiro represents in this exhibition, in images that, despite being paintings, have an ambiguous nature, resembling what we associate with photography and virtual reality. The representation of Arlecchino thus gains a visual freedom parallel to the character's own freedom: his behavior is free because it is foreign to the usual relationship established between consciousness and social representation in daily life and, in particular, in politics. It is a libertarian, pre-political behavior. Like Pasolini, Agamben offers an ideological reading of humor and grace, identifying connections between philosophy and comedy that blur the lines between the two. In light of this possibility, the combination of the works of these three artists brings us back to the devices of the Sousa/Azevedo duo, allowing the audience, when standing before the mirrors, to confront the experience of their own grace, or the political experience of relating their potential for grace with their self-awareness.

And, when we reach this identification between philosophy and comedy, it seems even more fitting that this project is being held here, at mala voadora.

Text by José Capela

Credits

collaboration with Guilherme de Sousa and Pedro Azevedo
partnership with Mala voadora

resources: glass, painting, styrofoam
format: residency cycle 02
photo & video: Bruno Lança

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Berru

Portugal

iron, electronic material, audiovisual material, welding machine

Escola das Artes - Universidade Católica do Porto

Andreia Santana

Portugal

iron, painting, audiovisual material, chamfering, copper, welding machine

Sonoscopia

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Parque Industrial Amorim 
Rua Manuel Dias, 440 
4495-129 Póvoa de Varzim

+351 252 023 590
info@noentulho.com